Friday 19 November 2010

A Visit To Hostem...


Slap bang in the middle of Shoreditch’s trendy Redchurch Street, an area predominantly composed of art galleries, twee cafes, creative design agencies and old haberdasheries, rests a stylishly new menswear boutique by the name of Hostem...


Armed with my notepad, dictaphone, camera (and umbrella!) I paid a visit to the store earlier this week to meet the owner, founder and brains behind it all, James Brown. On this, a typically British wet and windy day, the store looks most inviting: It’s old rustic wooden store fittings and burnt orange lighting, creates an appealing, cosy and homely atmosphere.


The store finally opened its doors in July of this year, after two years of solid researching, preparing, and revamping: “We spent a whole year just looking for the right location; everywhere from Mayfair to Dalston and every where else in between,”explains James. “But when the opportunity came up to locate here we just couldn’t resist... It’s an area that has a great energy and a unique environment: It’s perfect!”


Since its launch, Hostem’s success has already begun to boom, sparking major interest amongst the UK style press. James states it’s all down to luck or fate; a rather ‘right time, right place’ scenario, but I would have to say it has more to do with clever instincts and having an adept ‘business head’ firmly screwed on. From his time spent living and working abroad in Italy and Los Angeles, James realised there was something missing in the fashion retailing industry back at home: “In cities such as Paris, Tokyo and LA everyone speaks so highly of London and what vastness it has to offer in terms of fashion, when actually I believe it to be incredibly lacking.” James then reveals his interest and love for international concept stores such as Colette and L’Eclaireur; he speaks with such knowledge and passion, it is clear that the idea of Hostem has been a long time ambition of his... In fact James’ passion for fashion is the underlying reason behind his boutique’s existence: “The primary purpose of launching Hostem was to have a space where we could support and showcase the brands that we love and believe in,” he states. “...And as the brands we stock all have a very different aesthetic we wanted a space where they could successfully sit altogether.” And they have certainly achieved that!



The store’s stylish space itself is the creative handy work of interior design duo, James Russell and Hannah Plumb, a.k.a. JAMESPLUMB. “They were amazing to work with,”says Brown. “The way they bring ideas to life is just incredible: On the first day we got the keys to the store, Hannah turned up with an old, tattered, grass covered, church pew but now it sits beautifully by the store’s entrance as the front desk!”The pair’s vision creates a clever ‘rustic- luxury’ paradox: panels of hessian line the walls, encaged light bulbs hang low from the ceiling, whilst reclaimed antiqued furniture rests on original Victorian floorboards. James claims that he “didn’t want anything white, stark, minimal or modern.”


To avoid pigeonholing themselves into one particular identity, the guys at Hostemhave taken an eclectic approach when it comes to their stocked product. Offering a combination of styles from street wear brands such as Union, Stussy and Mastermind Japan, which are all housed in the store’s recently opened basement room (the very room in which our interview itself takes place) to more artisan and avant-garde labels including Boris Bijan Saberi, Rick Owens and Casely Hayford. “When it comes to buying in products, the first and foremost thought is ‘Is something that myself and my buying team love or would wear ourselves?’” James reveals. “But essentially we try to provide a happy mix of designers whether they be new or established, local or international.” Brown continues to express his enthusiasm for supporting new young talent, mentioning one name in particular, Curiouser + Curiosuer, created by a young accessories and jewellery designer, Alice Wease: “She walked into the store one day, and said ‘This is what I do...’ showed us four pieces of jewellery and one scarf and we loved it!” Hostem is now the proud UK stockist of Alice’s debut collection, but they also admit to “keeping a sharp eye out for other emerging designers too, whether they are based here in the UK, or in Paris, or Tokyo, or anywhere worldwide!”


In fact Brown and his team are so devoted to supporting and promoting creative talent that they have formed a room dedicated entirely to the cause. Referred to simply as ‘The Third Room,’ it is a constantly changing space to be used as a platform for visiting designers and artists to showcase their work. “The Third Room is really great as it allows us to do all kinds of collaborative projects: We welcome any ideas and love for emerging designers to be involved.” James then adds: “In fact, one thing we have thought about for forthcoming fashion weeks is to give a designer the space for the entire period as their own show room, where they can take their orders and invite guests...” And as an additional bonus for thelucky selected candidate, James reveals the space will be free of charge: “It’s our way of showing support and recognition to those who deserve it.”


Hostem and JAMESPLUMB joined forces one again for the debut ‘Third Room’ project, which ran during the London Design Festival in September of this year. Entitled the ‘One Room Hotel’, the pair filled the space with their signature style of rescued antiques and reclaimed furniture including a beautiful French 16th century bed. “One of the team suggested in jest ‘why don’t we actually let guests stay here?’ to which I of course replied ‘you have got to be kidding me!’” laughs Brown. “But the more we thought of it, the more we wanted to play it out, and it actually worked really well and was great fun!” After such enjoyment and success of the ‘One Room Hotel’ exhibition, James can’t hide his excitement about his impending third room visitor, Darren Romanelli or ‘Dr Romanelli’ to me and you: “His showcase will be launching around 22nd November for a month or so,” reveals James. “He [Romanelli] is creating a pop up Victorian chemist, displaying some amazing products that have never been seen before outside of Japan!”


With such an eclectic combination of products, styles and labels, Hostem in return attracts an eclectic combination of customers; so much so that James found it tricky to even describe to me the stereotypical ‘Hostem man’: “What we have found is that we don’t have a stereotype, so I couldn’t possibly describe him to you... In any one day we get anything from a guy in his late 50s to a young ‘street’ kid and everyone else in between!” And although their product offering is entirely aimed at men, everyone at Hostem has been surprised by the amount of female customers they have had walking through the door. Although much of the clothing stocked in-store reflects a unisex and androgynous aesthetic, (something which judging by the store’s already existing female clientele, many women favour,) I wondered if an additional Hostem branch dedicated to womenswear is a possible consideration for Brown and his team in the near future: “We’ve been overwhelmed with how many women have come in-store already and a lot of the menswear brands we stock have womenswear lines too so it is a major possibility...” Fantastic news for us girls! And if you live outside of the UK then you too are in luck as James uncovers news of an online addition to Hostem which is set to launch soon: “We will sell a selection of our products online but not all; I think there are some pieces which have to be seen in person or tried on... But on the other hand, we would also like to offer some items that would be exclusive to our online shop.” Once again wearing his ‘business head’ James Brown intuitively identifies the importance behind bringing his store to the fingertips of the ever demanding and technologically savvy 21st century customer through admitting that “in this day and age, all retailers should have an online store...”

Friday 12 November 2010

DRAWING FASHION





Illustration is the oldest form of media used to communicate ideas of fashion to the world; a form that served a particular important purpose at the turn of the twentieth century. The cutting edge photographic covers of Vogue, Harpers Bazaar and Elle that we see on the news-stands today were once whimsical illustrative creations depicting the latest trends, designs and styles by world class couturiers. As with the introduction of any new technology, photography soon replaced illustration and its necessity to communicate fashion soon diminished. The art of drawing fashion is still taught and practised today but regrettably does not always receive the large recognition it deserves.

The recently opened ‘Drawing Fashion’ exhibition hosted by The Design Museum, London, presents for the very first time an extensive collection of fashion illustrations ranging from 1910 to present,through an array of framed art work as well as video show reels which demonstrates the creative process of producing a classic fashion drawing. The collection, which took over thirty years to gather and collate, includes over 150 master pieces by world renowned twentieth century artists includingLepape, Gruau and Antonio, as well as those who continue the craft today, such as Mats Gustafson and Francois Berthoud.


The exhibition launched two Wednesdays ago with appearances from fashion industry faces including Vogue's Ella Alexander, legendary fashion writer and curator of 'Drawing Fashion', Colin McDowell (who generously gave VFS Director, John Walford, a signed copy of the exhibition's book), as well as our very own VFS designers, Eudon Choi and David Longshaw.
"It's a fantastic exhibition, beautiful curated in a great setting." David told us after attending the launch party. "Getting to see the originals, being able to properly study them and look at their techniques (after seeing them in old Vogues and fashion history books) is massively inspiring." And of course David's date for the night, Maude the Mouse, had a thing or two to say on the matter as well:

"Where were the f**#ing illustrations of me!!! Other than that massive oversigh, it was a gorgeous exhibition of iconic imagery. A must see for any one interested in fashion: From students to seasoned practitioners we can all learn something from this exhibition... The booze was good aswell (great work with the sponsorship) Doris was pissed after two minutes of arrival!"
David Longshaw's Maude in the ‘Drawing Fashion’ exhibition

I've often thought that the drawing of fashion is both a skill and a talent that should never be forgotten or dismissed (although with the world's constant demand for a digital and technological lifestyle, it does certainly look like it can go that way...) Longshaw couldn't help but agree: "Fashion illustration is an art form often neglected by galleries and under appreciated by the art and design world; this exhibition shows how incredible an art form it can be..." However, as was its purpose in the early twentieth century and that used by the design houses of Poiret, Chanel and Dior, many designers of today still use the traditional technique, whilst some style publications have too in recent years begun to embrace the illustrative form once again. This is documented in the exhibition’s ‘Fashion Drawing For The Future’ section through a display of Gustafson’s work for Chinese Vogue’s May 2010 issue as well as an introduction to fashion illustration of the future…

The exhibition runs until 6th March 2011 at The Design Museum, London SE1 2YD. Please check their website for more details...

Thursday 21 October 2010

London goes 'Baaaa-rmy' for Wool Week!



I am sure you all have heard of Fashion Week, but have you ever heard of Wool Week?

Last week London was overrun with sheep themed celebrations and events to mark the very firstNational Wool Week; an initiative headed by Prince Charles to help struggling sheep farmers and the wool industry by raising awareness of the vast beneficial qualities of the fleecy fabric.

On Monday 11th October, Flocks of sheep invaded London’s renowned tailoring district, Savile Row, blocking off all traffic for a ‘country field day'. The street also presented the public with an exhibitionby R Cledhill; the British woolen yarn spinners whose yarns create the cloth that is used by Savile Row tailors to create their bespoke suits.

Over fifty fashion and interior brands supported the cause and many dedicated their store windows for the week to create special wool themed displays. The Lyle and Scott store in Covent Garden Piazza displayed four brightly colour sculptures of the woolly creatures with their traditional Golden Eagle logo stamped on their rump, whilst Selfridges did one better by dying a real flock of sheep their signature sunny yellow, which were released outside the department store’s front doors.

Wool week may have come to an end but it’s not too late to get involved in such a good cause; simply get wrapped up for winter in your snug jumper dress and chunky knit scarves and support the wool industry!

Monday 18 October 2010

SS '11 Fashion Films...



A while back I blogged about film being used as the ‘number one’ form of showcasing a latest collection as apposed to conventional runway shows, but it seems to be more relevant now than ever. Interestingly during Paris Fashion Week, Jefferson Hack interviewed designer and pioneer of fashion film, Gareth Pugh about presenting a collection through the digital form:

JH: There’s been a strong reaction from the press and critics on the collection and the film. Are people starting to accept fashion film as an alternative to catwalk shows? For the record, what was your motivation for making a film and not traditional show?

GP: It was about bringing it to a wider audience and about having complete control over what I bring to that audience. So many things can go wrong with a show and so many things can go wrong in a film but people don’t see those mistakes. It was about taking back control and showing them what I want them to see.

JH: Did the experience match the motivation/expectation of how you wanted it to be received? And also the emotion of it, the feeling of the audience afterward?

GP: Obviously when I do a show there’s a big release at the end. You feel a sense of elation or ”Oh, it’s finished we can get drunk.” We kind of had that when we finished shooting. Then it was two weeks of editing. So there were less peaks and troughs in my mood. Which I think was good. The show is a very small part about what I do as a designer. As soon as the show finishes it’s straight into sales and this time I was able to concentrate on getting that side of things right. It’s often forgotten, or I often forget, that the show is one part of that but, this week, starting from today actually, is where the business happens and I could concentrate on that more.

JH: It is as expensive to make a fashion film as it to stage a show, is that right?

GP: Yeah. I think a lot of people don’t realize that. They consider the option of doing a film as secondary to doing a show because it’s a cheap cop out.

JH: I think you’ve proved the complete opposite. Done at the level at which you do it, is a very clear and viable alternative for you and your brand and your vision.

GP: I think it’s about the choices that you make with regards to the amount of money you spend on things to communicate your brand. To do a show in front of 300 people maybe doesn’t make as much sense to me as making a film that we can present to, potentially millions of people around the world that can see. The idea is not diluted or edited in any way as it can be when you see pictures on sites like style.com. It’s basically what I want people to see. I think the investment…you can reap those benefits. It’s worth the money...


Some designers are now opting to create a fashion film in addition to a traditional runway presentation, but is this just another ‘trend’ that they feel they have to follow…?









Friday 15 October 2010

SALEM...


There isn't much to say (these guys have an air of mystery about them, just like the sound they produce) just that their records are pretty cool...


Read Dazed's October Issue for a full length featured interview with the trio...


Vogue's Fashion Night In...

VOGUES Fashion Night Out… I get that, and in fact I went along last year - running around London’s West end from store to store, drooling over clothes I could never afford and taking advantage of the free champagne and gin offering - it was fantastically fun! VOGUES Fashion Night In however I do not get… Am I really going to be putting my gladrags on, sipping cocktails with my girlfriends just to be huddled around a crowded computer to online shop… Probably not! The most likely scenario is that I’ll stumble wearily into bed around 10pm (it is a Monday night after all!) and maybe, just maybe, have a little peak at ASOS’s new black range and benefit from Kurt Geiger’s 25 % off! But saying all that, it is for an excellent cause and I do encourage you all to shop; a percentage of all sales etailers make during the night will be donated to the children's charity KidsCo.

Tuesday 12 October 2010

SHEER BRILLIANCE...

A new alternative fashion magazine entitled SHEER (What a fabulous name eh?) launched this weekend. As the brainchild of photographer, Daniel Neale SHEER looks to the ‘future of fashion’ by showcasing a new generation of young and talented creatives. Embracing the digital medium, the online publication features a short film, as well as a series of fashion editorials with beautifully composed styling and a strong, striking use of black and white photography. The cover star for the first issue is ‘male model of the moment’, Luke Worrall, who sports the latest collection by Orschel-Read, styled by renowned fashion stylist, Rebekah Roy.

Although its creators and contributors are young and new ‘on the scene’ so to speak, SHEER possesses sophistication, class and quality. If you don’t believe me, then check it out for yourselves: http://www.sheermag.com


The Fashion Scout

Sunday 10 October 2010

Craig Lawrence SS '11 Fashion Film...


Craig Lawrence SS11 Collection Film


...Simply AMAZING!

ONE TO WATCH: SUNVISOR...




With the madness of Fashion Week (or shall I say month!) and blogging daily for Vauxhall Fashion Scout over the summer, I haven’t posted anything about music for a while… But I wanted to tell you about Sunvisor: Their track ‘Sky Dive’ has been stuck on repeat on my iPod’s summer playlist over the past couple months… For lazy summer afternoons relaxing in the garden or walks along the beach in Greece where I vacationed, Sunvisor set the perfect mood and chilled state of mind. The guys from NY, Matt Buszko and Anthony Gerbino, have apparently been working on their debut EP which is set for release soon! Yay!

Thursday 7 October 2010

Dark Romanticism...


Love. Love. Love...




For Givenchy SS ’11, Riccardo Tisci has created a collection of contrasts: Black + white. Sheer silk + wetlook leather. Delicate Ruffles + metallic zip embellishment. Tailored ‘boyfriend’ suit jackets + floor length soft flowing skirts. An androgynous silhouette + a feminine figure… (and all with a bit of animal print thrown in for good measure…)

Tuesday 5 October 2010

BOLSHIE BOLSHIE BOLSHIE...




Do not under-estimate 18 year old Rhiannon Jones; she may be young and she may not have a swanky masters degree behind her but my god is she determined. After being asked to leave school at the tender age of 15 when her teachers objected to the way she dressed, Rhiannon packed up and moved to the big smoke where she subsequently launched her career as a fashion designer under the name, ‘Bolshie.’ Now two years on, Bolshie has officially invaded the fashion world with wild wacky prints and structurally shaped garments, all designed and made by Rhiannon herself, in her east end studio.

After catching sight of the glittery gold watch jacket at the VFS preview shoot earlier this month, I just couldn’t wait to meet the girl behind this revolutionary fashion label: Bumping into her at the Vauxhall Fashion Scout exhibition space during LFW, I finally got my chance…

Firstly, the question that’s on everyone’s minds… where did the name ‘Bolshie’ come from?
Describing my ‘bolshie’ rebellious personality, it was a nickname my mum gave me as a kid and it kind of just stuck! It’s a phrase that isn’t really used that much by today’s generation but it comes from the word ‘Bolshevik,’ a political party during the Russian revolution.

Tell me a bit about your SS ‘11 collection: Where did you get your inspiration from?
The way I design normally happens quite subconsciously; I don’t really notice the reason why I have chosen to create a specific design until I’ve done it! For example, on some of the printed pieces from my latest collection I have illustrations of Heinz food tins: I didn’t really know why I started drawing them, until I realised that I’ve been surviving on baked beans for the last few months! It’s quite a random process but there is meaning behind it.
Print has always been a big part of the Bolshie label so I have developed on that a lot more, creating hand drawn illustrations of Coca Cola baby-bottles and guns with a lipstick barrel, printed onto patent leather jackets and cropped baggy t-shirts.
Since my last collection, I have grown, become wiser and more aware of the business, so for this season I decided to create a few more wearable pieces and also some specifically for men, to broaden my market.

Do you have a favourite piece from your new collection?
Definitely - It has got to be the XL gold ‘Big Ben’ headpiece!

And finally, what are your plans once London Fashion Week is over?
I have A LOT of plans. Firstly I am going to go over to Paris to meet a few buyers over there. I also would like to see my pieces stocked in Japan: I think the label will do really well over there and I just love their whole street style culture. But I guess my main aim for now is to build up a really strong fan following to the label.
(Well Rhiannon, you can definitely add me to your proposed list of fans!)

Eccentric, fun and quirky just like the clothes she creates… we want to party with this girl!


Written for The Fashion Scout

Monday 4 October 2010

David Longshaw SS '11 Review...



For many designers, inspiration comes from an external source; a piece of architecture, a painting or perhaps a particular person or ‘muse’, but for womenswear designer, David Longshaw, this is not the case... Interestingly David utilises his boundless skills in writing and illustration to create quirky and original short stories as inspiration behind his collections. A few days ago I was fortunate enough to talk to the man himself to discover the story behind his designs for SS ‘11. He told me the tale of a group of youths who break into a stately home. After entering the house, the groups’ initial intentions of theft are soon dismissed after they become distracted and fascinated by a display of period costumes: ‘They start to dress up and the fun soon begins’ explains David.

Ruffles, pleats, feathers, ornate fabric manipulation, and other features you would expect to find upon period attire are all present in David’s SS ‘11 collection. A key colour palette consisting of a light ivory, powder blue and pastel purple is captured on a combination of simple silk camis, tightly fitting mini skirts and wispy summer dresses. Original drawings from the inspirational narrative are also used to create signature prints that are placed onto garments, adding an element of humour and quirk to David’s designs. My personal favourite; an illustration of a stereotypical ‘chav’ bulldog printed onto a beautifully delicate loose ivory dress, creates a wonderfully ironic juxtaposition of ideas.

For accessories this season, David has yet again teamed up with womenswear and jewellery designer, Kirsty Ward, who too has taken the fashion world by storm at late. In keeping with the collection’s theme and soft pastel palette, as well as her own signature style, kirsty has created sets of statement neck pieces complete with fabric ruffs, glass crystals and bullion fringing.