

(Jimmy Choo for Project PEP collection)
A social media campaign named ‘You, Your Shoes and 72’ has also been set up and there is a chance for us to get involved too; Jimmy Choo wants people to submit photos showing their best shoes and the number 72 to raise awareness of the PEP project. The winning images will be showcased at the global launch of Project PEP, which will be held at Selfridges in London on October 29th… the winners will also receive products from the Jimmy Choo collection.
Enter here: http://www.jimmychoo72.com/
The other day, I decided to take a little trip down to London to visit my big sis, Emma, who has just recently moved down there to start her MA in Journalism at LCC. We shopped, partied and had lots of fun, but I also wanted to do something productive and worth while so I dragged her along to Somerset House for the SHOWstudio exhibition, ‘Fashion Revolution’.
The first thing we were greeted with was the dreaded room of mirrors (warning: not suitable for the body conscious!) followed by a giant polystyrene sculpture of Naomi Campbell, on which exhibition visitors can post their thoughts or doodle using a digital screen and a projector.
Visitor participation and interactivity was a key theme to the exhibition, with live photo shoots and model castings using SHOWstudio viewers, as well as interactive screens and a highlight of mine which consisted of a seat and a telephone; at selected times during the exhibition, visitors can use the telephone to contact various different models who have been styled by Simon Foxton using garments by various different designers.
Emma’s highlight was the ‘Sound of Clothes: Synaesthesia’ an extremely interesting concept which incorporates image and music to describe clothes: using one of Nick Knights photographs of a Balenciaga jacket, Composer, Nick Ryan and a full on orchestra interpreted a different element of the garment with a different sound depending on the textures and surfaces! Amazing!
Film is an extremely big part of SHOWstudio projects and experiments, and there is an intensive archive of fashion film available to view at the exhibition (I could literally have stayed there for hours and hours) from the surreal fashion fantasises to those with an important political and moral message, pioneered by many iconic figures within the industry, such as Vivienne Westwood, Gareth Pugh, Viktor and Rolf, Nick Knight, Ruth Hogben, Kate Moss, Tim Walker…the list goes on…
The link between fashion and film is a huge interest of mine (Emma had mixed thoughts though, describing some of the short films as ‘too Zoolanderish’) and SHOWstudio has been a great source of inspiration… [Reflection: I think it would make a fantastic topic for my dissertation which I am to write this year…]
The band are currently supporting Florence + the machine, on her tour this september and are scheduled to support Friendly Fires in the US later this year... so you just know they are going to be big stuff!
(image source: www.art-dept.com/artists/rankin/.../sofasexy/portfolio)
(Real live models in Louis Vuitton's window)
In Burberry, I enjoyed the strongest vodka and tonics I have EVER had whilst talking to one of the writers for Vogue about my love for fashion journalism (he oddly recommended I wrote a piece on this blog on avoiding Mosquito bites as insisted Alexandra Shulman would read it as is apparently an avid follower..?)
After queuing for what seemed a life time, we finally were in Chanel, spectating on a live photo shoot with the fabulously brilliant and beautiful Daisy Lowe and Erin O’Connor… [Reverie: How amazing would it be to have fashion icons like themselves to model for my degree FMP photo shoots…?]
(Erin O'connor modelling Chanel's new A/W '09/10 collection)
"They share the same history, sensibility-and shoe size! Audrey Tautou's latest role as legendary designer Coco Chanel is a perfect fit..." (VOGUE, Aug 2009.)
This is one film that I have been dying to see, ever since I heard of it in the making last year! If you are as keen as me you will still have to wait a couple weeks though, (release date is 31st July) however in the mean time I recommend buying/ renting 'Lagerfeld Confidential' to explore the life of Chanel's most current creative director and head designer, Karl Lagerfeld as well as to see how the french fashion house works in the 21st century. Also pick up this months issue of Vogue (aug 2009) to read the films review and interview with Audrey Tautou, who plays Chanel in the movie...
(my review of the film to come...)
One of Testino’s renowned photographic styles is his profound portraiture. His impressive list of iconic subjects to date has included ‘everyone who is anyone’; actresses, models, musicians and even royalty, some of which he has collaborated with on more than one occasion.
This, probably one of Testino’s most famous portraits, was taken in Los Angeles for Harpers Bazaar in 1996. It unsurprisingly presents a young Kate Moss, the same year she won Vogue’s ‘Model of the Year’ award, a grounds for her becoming hugely influential in the fashion world as well as a stylishly, iconic subject for Testino’s photography. Perhaps this is the main reason Moss appears to be the focal point of the image; positioned centrally leaning gracefully yet effortlessly on a four-wheel-drive truck and prominently lit, which causes her white top to almost gleam.
As you look attentively at her innocent looking face, the eyes can not help but go unnoticed; you automatically follow her sight trail and observe the aimed area, eventually realising the not-so-innocent Kate’s cheeky glimpse at the car’s wing mirror, which presumably presents her with a reflection of the background to the image; an undressing surfer’s bare behind! This feature of the photograph is the motive behind the legendary naming of the piece, quite simply, ‘Surfer Butt’.
Subtle detailing is what makes this photograph so intriguing; just one quick glance and you miss all the small, but certainly not by any means unimportant details, which together create a suggestive narrative to the picture. For example; a carefully positioned surf board or a pair of bikini bottoms that are so casually slung over the car’s door both indicate the sunny L.A setting. A closer look at the car’s mirror and you spot another reflection that is depicted, creating an almost ‘mini photograph’ within itself.
Semi-nude males and a hint of nipple showing through Moss’ sheer top, provokes a rather ‘raunchy’ theme and generates plenty of sex appeal. However, Testino has cleverly avoided this theme from appearing trashy or vulgar by slyly romanticising the over all image through the use of his artistic black and white shot...
It was fabulous, with an in depth look at how underwear has evolved through the ages, in all different areas; from corsetry to the supportive sports bra...
...I highly recommend it to anyone, especially if you study lingerie or swimwear design at university!
(Blur: A major highlight of the whole festival, especially this emotional moment for lead singer, Damon...)
However this slant of kaleidoscopic, geometric patterns is nothing new to fashion house, Pucci, who is renowned for it. As his last show as creative director for the brand, Matthew Williamson certainly didn’t disappoint and delivered the classic ‘Pucci print’ in a mass of bold pinks, oranges and blues, which contrastingly sat so perfectly against the dark skin of model, Jourdan Dunn.
(Topshop's 'Geometric Print' leggings)
Pucci’s answer to Matthew Williamson’s successor, Peter Dundas, states that he will carry on this trend into next season, as it is essentially the heritage of the brand. Plus, perhaps a striking pattern and bright colour is what fashion needs right now, avoiding the ‘recession doom and gloom’ that has clouded us all for far too long now. “It isn’t right for Pucci to do a low key collection in these times” Dundas proclaims, “In fact I think we have an advantage right now, because when times are tough, you want some sunshine, no?”
CHECK IT OUT...
I am becoming quite obsessed with graphic print leggings at the moment... beginning to build up quite a collection now! I recently saw these in Topshop and thought they were amazing!
But for someone who has a particular insecurity surrounding her legs, an ownership of over 20 pairs of leggings, a garment which is renowned for its body-shape-revealing-tightness, may seem slightly bizarre. My fanatical collection of the twenty-something pairs consist of both vintage and brand new as well as the weird and the wonderful. A splash of colour, a bold print or possibly an unusually shiny fabric most definitely attracts interest to an area where attention is most unwanted. Well, in my case anyway.
This rather contradictory way of dressing is reminiscent of how stereotypically some people, who expose themselves as loud, bubbly and confident are actually secretly very timid, self conscious and insecure, who are just simply trying to cover that all up and ‘act the part’. But could a fashion garment be used in the same way… as a concealed defence mechanism?
As a child, growing up in the 90’s, leggings were often a key piece in day to day wear; just as they are now. Memories of my leggings back then are rather vague, although I can vividly remember my mothers. My favourite, a nautical inspired pair; bold blue jersey with large red and gold coloured prints of anchors, ship wheels and ropes, which gradually descended down her leg, a style which I would long to own and wear during today’s fashion. Perhaps I have never fully unleashed this particular garment from what I perceive as my own personal style, in a desperate attempt to seize these treasured childhood memories. But is it really possible that someone can successfully and fashionably relive, at age twenty, their same style and fashions that they displayed between the ages of 5 and 10?